The Contrasting Themes and Structure of William Faulkners The Bear Ess

The Contrasting Themes and Structure of William Faulkners The Bear At first, William Faulkners The Bear, seems to be a bring out up about the decline of an old bear and the state of nature he represented. Oddly, it is possible to omit the quaternaryth chapter of The Bear and still have a complete and less confusing twaddle. Although sandwiched in between the third and twenty percent chapters, the quartern chapter is well-nigh wholly independent. For the purpose of this analysis, I will list to chapters one, ii, three, and five as being one half of the story, while chapter four solely comprises the other half. At first, it seems that these twain sections have little in common, but that exactly is Faulkners intention. He has deliberately pitted these two halves of the story against each other in order to compare and contrast wilderness to civilization. He does this by creating two separate and independent plots, containing each almost solely in the environment dictated by t heir theme, contrasting two martyr-like characters-each central to the plot, and giving the two sections different narrative styles and chronology. To complicate things, the fourth chapter is placed in the midst of the rest of the story. Faulkner uses contrasting plots to separate the two sections of The Bear at the lowest possible level. The first half of the story (chapters 1,2,3, and 5) contains a fully contained plot about a bear die hard and the decline of the wilderness, while the other half (chapter 4) is also self satisfactory in its plot, depending only on the other half for introducing the main characters. The first half of the story tells a bittersweet tale of a boy who wished to learn humility and pride in order to become unspoiled and worthy in the woods but... ...the wilderness, but abandoned it along with the wilderness. Faulkner illustrates these differences with translator parts in the story and communicates his feelings towards each in what he chooses to wri te and how he writes it. Yet by melding the two parts into one and secure them inseparably together, he effectively communicates the duality of grief felt by the boy, one of that last who understood humility and pride. Works CitedBrooks, Cleanth. William Faulkner Toward Yoknapatawpha and Beyond. New oasis Yale University Press, 1978.Evans, David H. Taking the Place of Nature The Bear and the Incarnation of America. Faulkner and the Natural World Faulkner and Yoknapatawpha, 1996. Ed. Donald M. Kartiganer and Ann J. Abadie. capital of Mississippi UP of Mississippi, 1999.Faulkner, William. The Bear. Uncollected Stories of William Faulkner. Vintage 1997.